Inter Arma's Sundown was a ton of fun to listen to. The band's thick soup of sludge, death and black metal oozed crustily out of the speakers with a kind of doesn't-know-its-own-strength looseness that made you want to stumble around and bang your disassociated head out of time to the massive, lumbering riffs. The way the instruments dragged each other laboriously through the songs - trawling through muddy dirges before scraping sluggishly through an overweight blackened thrash assault - was wild.
In contrast, "The Calm Before the Shitstorm" from their split 7" with Battlemaster was, for the most part, a fast, tight, blazing sludgy hardcore epic.
With these two quite different releases in mind, I was very interested to see what direction Inter Arma's new 12", Destroyer (on Toxic Assets), would take. The first thing that strikes you is the production, in particular its clarity, which gives the music a very different feel. It doesn't necessarily detract from Inter Arma's heaviness, but it does smooth out some of the rough edges that made Sundown such a ripping good time. On the other hand, it has allowed them to play around with a much broader range of guitar tones and sounds than they did previously, the drums are much fuller, and they have made greater use of dynamics to make the songs move, rather than relying on jumping between disparate song parts.
Inter Arma have also drawn from different influences in writing Destroyer. Sundown did have a few reflective moments that let you regain your balance, but those elements are more focused and feature more prominently here. Most surprisingly, "Darker Movements" is a psychedelic slide-guitar freak-out and the intro to "The Long Road Home" is a Pink Floyd-esqe jam that slowly builds to a soaring guitar solo that brings you back to earth before completely shifing into its cavernous black metal inspired verses. The title track evokes thoughts of Tom G. Warrior barking over a buzzing Sleep riff, and it works a treat. But the song that seems most familiar here is "Wailing Moon", although it also reflects the direction in which Inter Arma seem to be headed. It packs a mighty punch that alternates between blasts of blackened violence and a deeper, more mid-paced pummeling. However, the slower parts now have less Brainoil or Noothgrush and more Bison BC or, dare I say it, Leviathan-era Mastodon.
Destroyer seems like a statement of intent from a band that has grown from its experience to this point. Its 4 songs are more polished and solidly written than their earlier stuff, but they also maintain an edge that makes Inter Arma stand out. I've read that their live shows are something to behold, and as they have recently signed with Relapse you'll no doubt hear more about these guys soon.
Look here, listen here.
lxp
Friday, 24 August 2012
Monday, 13 August 2012
Saturday 11 August @ the Pot Belly, Belconnen
Friday, 27 July 2012
Wolves Carry My Name - Amongst Ruins and Ashes
A quiet night trawling through bandcamp can yield some excellent finds. That's how I first stumbled across the fantastic self-titled album by Olde Growth, which has since been released on CD by MeteorCity and vinyl by Hydro-Phonic, and the incredible 2011 demo from Lycus, which has also received the vinyl treatment through Flenser Records. Do yourself a favour and check both of those out if you haven't yet.
Similarly, the ancient ones last night offered up the gift of Wolves Carry My Name, from Siegen, Germany.
Their 6 track release, "Amongst Ruins and Ashes" twists and turns through a huge range of influences, from expansive delay-filled post-rock to spiteful, abrasive sludge to downright neck-breaking riffery, with a little tribal drumming thrown in for good measure. But rather than sounding patched together and unfocused, the whole thing creates a cohesive beast that makes you want to follow along on its dark adventures. In this way, Wolves Carry My Name come across kind of like Adelaide's Hydromedusa, though with a shorter attention span.
While some may find the sound on "Amongst Ruins and Ashes" a bit clean, the production allows the music's variety to show through while at the same time keeping its lupine fangs sunk deep into you. And the harsh aggravation in the vocals dumps some very welcome dirt over the top of everything anyway.
In short, this thing is killer. Listen for yourself here. More info, including getting physical copies direct from the band here.
lxp
Similarly, the ancient ones last night offered up the gift of Wolves Carry My Name, from Siegen, Germany.
Their 6 track release, "Amongst Ruins and Ashes" twists and turns through a huge range of influences, from expansive delay-filled post-rock to spiteful, abrasive sludge to downright neck-breaking riffery, with a little tribal drumming thrown in for good measure. But rather than sounding patched together and unfocused, the whole thing creates a cohesive beast that makes you want to follow along on its dark adventures. In this way, Wolves Carry My Name come across kind of like Adelaide's Hydromedusa, though with a shorter attention span.
While some may find the sound on "Amongst Ruins and Ashes" a bit clean, the production allows the music's variety to show through while at the same time keeping its lupine fangs sunk deep into you. And the harsh aggravation in the vocals dumps some very welcome dirt over the top of everything anyway.
In short, this thing is killer. Listen for yourself here. More info, including getting physical copies direct from the band here.
lxp
Friday, 6 July 2012
The first post...
Welcome to Cacophemisms, a blog in which a bunch of people will write mostly about music, but also about whatever else we feel like.
Just to get things started (not because they're worth posting), here are some absurdly blurry photos from the Roadburn Festival in Tilburg, Netherlands, back in April.
Just to get things started (not because they're worth posting), here are some absurdly blurry photos from the Roadburn Festival in Tilburg, Netherlands, back in April.
| Red Fang |
| Church of Misery |
| Sleep |
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